Three Lullabies is a three-movement song cycle for Mezzo Soprano, Tenor, and Piano. This suite of lullabies is rhythmically, melodically, and harmonically accessible to children and would fit nicely into any classical concert for children or a younger audience.

 

The first song Nini Baba Nini, from the book The Far Pavilions by M.M. Kaye, is a sweet Hindi text that describes the happiness of being able to provide food, and thus sleep, for one’s child. The setting of this poem superimposes the English translation against the original Hindi text.

 

The second song Villanelle of Sunset is a text by Ernest Dowson. A villanelle is traditionally a nineteen-line poem containing only two rhymes, “rest” and “day” in this villanelle. The melody and accompaniment are reminiscent of an American folk tune to reflect the strong imagery of the West in the text.

 

The third song In the Morning sets the text written by Amy Gordon. The music is simple and gentle in order to lull a child to sleep, despite the difficult conditions in the outside world.

 

 

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The Traveler is an art song for Tenor (or possibly Baritone) and piano that explores the mindset of a traveler or vagabond as he or she explores the world. The text, also written by Amy Gordon, describes the traveler’s eternal struggle between calling somewhere home and an intense desire to be freely roam.

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The Breeze at Dawn is a wonderful translation by Coleman Barks of the hauntingly beautiful Rumi poem. The text delicately describes the subliminal space between the sleeping world and the waking world. The singer invites the listener to live in between those two worlds. The piece would fit well for any chamber ensemble concert that includes Soprano, Flute, Clarinet, and Piano.

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From Your Bright Sparkling Eyes, A Death-Bed Adieu combines the poems of two of America’s Founding Fathers: George Washington and Thomas Jefferson. The first soprano sings the text of one of only two surviving poems written by George Washington, “From Your Bright Sparkling Eyes, I Was Undone”. The first letter of each line of the text spells out the words Frances Alexa, referring to a woman George Washington loved. The poem is incomplete, however, since her full name is Frances Alexander. The second soprano sings the darker poem, “A Death-Bed Adieu” penned by Thomas Jefferson at the end of his life on his death bed. He addressed the poem to his daughter, Martha Randolph. The juxtaposition of these two poems, one youthfully hopeful and the other darkly resigned, creates a strange new work where love and death exist in the same time and space.

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Along the Bay is a lyrical and reflective duet for soprano and piano. The poem “Along the Bay” is from a larger collection of poems entitled As Time Stops to Rest, written by the composer’s late aunt, Susan Jordan. The text describes the passage of snowflakes as they fall, join the dew, and eventually become the bay, possibly a metaphor for our lives. The references to dancing and Tinker Bell highlight the playful nature of this journey.

While Along the Bay is the third movement from a larger song cycle As Time Stops to Rest, it can also be used as a stand-alone piece in any concert or recital.

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