The Breeze at Dawn is a wonderful translation by Coleman Barks of the hauntingly beautiful Rumi poem. The text delicately describes the subliminal space between the sleeping world and the waking world. The singer invites the listener to live in between those two worlds. The piece would fit well for any chamber ensemble concert that includes Soprano, Flute, Clarinet, and Piano.

From Your Bright Sparkling Eyes, A Death-Bed Adieu combines the poems of two of America’s Founding Fathers: George Washington and Thomas Jefferson. The first soprano sings the text of one of only two surviving poems written by George Washington, “From Your Bright Sparkling Eyes, I Was Undone”. The first letter of each line of the text spells out the words Frances Alexa, referring to a woman George Washington loved. The poem is incomplete, however, since her full name is Frances Alexander. The second soprano sings the darker poem, “A Death-Bed Adieu” penned by Thomas Jefferson at the end of his life on his death bed. He addressed the poem to his daughter, Martha Randolph. The juxtaposition of these two poems, one youthfully hopeful and the other darkly resigned, creates a strange new work where love and death exist in the same time and space.

Along the Bay is a lyrical and reflective duet for soprano and piano. The poem “Along the Bay” is from a larger collection of poems entitled As Time Stops to Rest, written by the composer’s late aunt, Susan Jordan. The text describes the passage of snowflakes as they fall, join the dew, and eventually become the bay, possibly a metaphor for our lives. The references to dancing and Tinker Bell highlight the playful nature of this journey.

While Along the Bay is the third movement from a larger song cycle As Time Stops to Rest, it can also be used as a stand-alone piece in any concert or recital.

Alpha Centauri is a five-movement piece for Clarinet in Bb and Piano. It was inspired by Alpha Centauri, which is the closest star system to our solar system, clocking in at a mere 4.37 light-years away. The form alternates between three nights and two day interludes. The harmonic and melodic material are reminiscent of the time of night when the world is in its deepest sleep.

This virtuosic set would be a nice addition to any chamber recital or clarinet and piano concert.

“Two Friends” (the first movement of the choral song cycle As Time Stops To Rest) paints a peaceful scene of two friends losing track of time as they sit by the ocean enjoying their time together. The piece opens with serene rolled chords in the piano, which continue throughout almost the entirety of the movement. The constant rolling of the piano creates a sense of ocean waves continuously ebbing and flowing. The opening tenor solo describes the tranquil setting and is then joined by the full choir as “warmth and happiness intermix to form an afternoon shared by two close friends”. The movement features lush harmonies and detailed ensemble interplay. The movement concludes with the continued rolled chords in the piano and a final soft low cluster, as if the texture is sinking into the ocean.

As Time Stops To Rest is a three-movement song cycle for SSAATTBB Choir and Piano, with featured soprano and tenor soloists. The cycle is dedicated to the composer’s late aunt Susan Jordan. The works sets three poems from a larger set of poetry entitled As Time Stops To Rest, also written by Susan Jordan. The song cycle has an overall arch form of peace followed by tragedy and loss, ultimately giving way to a final sense of peace.

Two Friends may be performed as part of the entire song cycle or as a stand-alone piece.

Also see the second movement Storm’s End and the third/final movement Magic.

“Storm’s End” (the second movement of the choral song cycle As Time Stops To Rest) opens with violent and flurried storm-like arpeggios in the piano, in stark contrast to the peaceful character of “Two Friends”. The tenors and basses open with a rigid imitative texture asserting how “the storm raged across the bliss field”. The piano then mimics raindrops falling more and more violently before finally giving way to a calmer texture. After the “storm” has ended, the full choir enters in a mostly homophonic, hymn-like texture describing an overwhelming peace that sometimes follows after an intense tragedy or loss. The piece climaxes on the words “day” and “fire”, alluding to the feeling of being in love with one’s life despite (and perhaps because of) the pain and suffering one has endured.

As Time Stops To Rest is a three-movement song cycle for SSAATTBB Choir and Piano, with featured soprano and tenor soloists. The cycle is dedicated to the composer’s late aunt Susan Jordan. The works sets three poems from a larger set of poetry entitled As Time Stops To Rest, also written by Susan Jordan. The song cycle has an overall arch form of peace followed by tragedy and loss, ultimately giving way to a final sense of peace.

Storm’s End may be performed as part of the song cycle or as a stand-alone piece.

Also see the first movement Two Friends and the third movement Magic.

Alleluia is part of the sacred mass tradition and is associated with praise and acclamations. This modern setting of the Alleluia text, commissioned by Choral Arts Initiative for the 2019 PREMIERE|Project Festival, opens with a fanfare-like piano solo. The choir then enters and slowly builds in excitement before reaching a climax. The B section of this piece explores different choral textures, using flowing lines and dynamic swells. After the flowing triplet section, the opening material returns and builds until the final joyous ending.

This bright Alleluia setting would fit well into any sacred service, especially Easter Sunday.

I had an amazing time performing at Witzend on April 1. What an amazing venue! Here are two video performances from the night: NEW SONG!! “You Don’t Have to Be Alone” – Live @ The Witzend in Venice, CA “One Door Opens” – Live @ The Witzend in Venice, CA