I Celebrate Life (the second and last movement of the Light Cycle suite), commissioned by Jennifer Gaderlund for the Graham Middle School Choirs, sets the beautiful poem by Rhoda Gordon, the composer’s late grandmother, for SA (SSA divisi) Choir and Piano. The piece opens with an excited yet hushed ostinato in the Piano. The Choir sings the first four lines of the poem by repeating the beginning line and adding the next line un.l it is complete, utilizing the modern technique of additive processes popular in Minimalism. In the more pensive middle section, the ostinato transforms into a more poignant texture as the Choir “realizes the joy of being through seeing the glorious creation” they are a part of. The ostinato then speeds up and returns to the hushed excitement heard in the opening. The piece concludes with the Choir building up to the most important line of the text: “The most powerful light to celebrate by is love.”

This piece is suitable for any Treble-voiced ensemble. It may be performed as a stand-alone piece or paired with Light Up as the complete Light Cycle suite.

Light Cycle will receive its premiere on December 12, 2019 by the Graham Middle School Choirs conducted by Jennifer Gaderlund in Mountain View, CA.

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Light Up (the first movement of the Light Cycle suite), commissioned by Jennifer Gaderlund for the Graham Middle School Choirs, sets the beautiful poem by Rhoda Gordon, the composer’s late grandmother, for SA (Opt. SSA) Choir and Piano. The Piano features a constant rhythmic motor, representing our hopefully constant dancing throughout life. The Sopranos and Altos begin in unison and then break into harmony as the texture unfolds. The middle section contains a round between the Sopranos and Altos, with the Altos offset by two beats. A third (optional) descant part sings above the round between the Sopranos and Altos. The opening material returns with the repeated text “Think light rays” but develops the material further with a few moments of divisi. The piece dramatically builds as the choir repeats the word “glow”, finally resolving with the call to “glow and dance”. The Piano’s rhythmic motor finally comes to a rest at the last measure.

This piece is suitable for any Treble-voiced ensemble. It may be performed as a stand-alone piece or paired with I Celebrate Life as the complete Light Cycle suite. The round in the middle section is a great way for any Treble-voiced ensemble to explore polyphony and part independence. The descant and divisi parts may be included or omitted depending on the needs of the ensemble.

Light Cycle will receive its premiere on December 12, 2019 by the Graham Middle School Choirs conducted by Jennifer Gaderlund in Mountain View, CA.

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Light Cycle is a two-movement suite for Intermediate to Advanced Treble ensembles. The suite, commissioned by Jennifer Gaderlund for the Graham Middle School Choirs, sets two beautiful poems by Rhoda Gordon (Light Up and I Celebrate Life), the composer’s late grandmother, for SA (SSA divisi) Choir and Piano.

Light Up is the first movement of the Light Cycle suite. The Piano features a constant rhythmic motor, representing our hopefully constant dancing throughout life. The Sopranos and Altos begin in unison and then break into harmony as the texture unfolds. The middle section contains a round between the Sopranos and Altos, with the Altos offset by two beats. A third (optional) descant part sings above the round between the Sopranos and Altos. The opening material returns with the repeated text “Think light rays” but develops the material further with a few moments of divisi. The piece dramatically builds as the choir repeats the word “glow”, finally resolving with the call to “glow and dance”. The Piano’s rhythmic motor finally comes to a rest at the last measure.

I Celebrate Life is the second and last movement of the Light Cycle suite. The piece opens with an excited yet hushed ostinato in the Piano. The choir sings the first four lines of the poem by repeating the beginning line and adding the next line until it is complete, utilizing the modern technique of additive processes popular in Minimalism. In the more pensive middle section, the ostinato transforms into a more poignant texture as the Choir “realizes the joy of being through seeing the glorious creation” they are a part of. The ostinato then speeds up and returns to the hushed excitement heard in the opening. The piece concludes with the Choir building up to the most important line of the text: “The most powerful light to celebrate by is love.”

Light Cycle is suitable for any Treble-voiced ensemble. The pieces may be may be performed together or as stand-alone pieces. Both pieces explore imitative polyphony and would be a great way for any Treble- voiced ensemble to explore polyphony and part independence. The SSA divisi may be included or omitted as suited to the needs of the ensemble.

Light Cycle will receive its premiere on December 12, 2019 by the Graham Middle School Choirs conducted by Jennifer Gaderlund in Mountain View, CA.

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Bubbling Up is a solo piece for the Haegeum, a Korean string instrument somewhat similar to the cello. The piece uses special techniques such as extensive glissandi and controlled vibrato.

 

The piece was premiered by Jeonghyeon Joo as part of the Sound and Fury present: PHASE, Korean Ensemble concert on April 27th, 2019 at Art Share LA in Los Angeles, CA.

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Lawn (from I Wonder), commissioned for the Central Bucks High School-West Choir of Doylestown, Pennsylvania by Dr. Joseph Ohrt, is the sixth of thirteen short poems written by Charles Anthony Silvestri. Each of the thirteen poems explores a different perplexing thought, ranging from humorous to serious. Lawn is a semi-serious poem that asks why we spend so much time trying to control our lawns (and possibly lives), only to have to repeat the cycle every season. The musical setting features playful interactions between the voice parts and percussive, syncopated rhythms.

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The holiday season is upon us and thus so is holiday music. I have several upcoming performances of my holiday music, including a premiere of my brand new piece Light in the Darkness, a brand new arrangement of Joy to the World, and my arrangement of What Child Is This. This is my favorite time of the … Continue reading November 24th, 2018

Spots and Whiskers is a whimsical solo flute piece inspired by a day in the life of a cat. The piece uses extended flute techniques to mimic cat sounds such as flutter tonguing (purring), multiphonics (insistent meowing), and key clicks (claws on the floor). This piece would be a fun and light-hearted addition to any concert featuring solo flute.

It was premiered on June 2, 2018 by Gerardo Lopez as part of the Sound and Fury Concert Series in Los Angeles, CA.

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My brand-new piece Lotus Flower for SA and Piano, commissioned by Ruth Ballenger, is receiving its world premiere next Thursday April 26th by the Ramona Convent Secondary School Chamber Singers. This piece was particularly exciting for me to compose because it sets the anthemic text by Analisa Vanegas (’18), who is an RCSS graduating senior this year. It … Continue reading April 14th, 2018

Lydian Daydream is a whimsical solo cello piece with Lydian and Lydian dominant modal inflections, which are both variations of the major scale. The piece uses extended cello techniques such as pizzicato strumming (imitating a guitar), sul ponticello (playing close to the bridge), and glissandi (sliding between notes). This piece would fit well in any solo or chamber recital featuring cello.

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NEW SUMMER SHOWS! Here are a few highlights of my upcoming summer performances: Sat July 22nd at 7pm at The Coffee House Gallery in Altadena: The Los Angeles Belles will be performing a few of my pieces, including “Shadows“. More info here.   Sunday July 30th at 4pm at St. Mark’s Episcopal Church in Glendale: The Los … Continue reading July 19th, 2017