Shelter Song, commissioned by the Ramona Convent Secondary School Choirs, directed by Ruth Ballenger, sets the charming text by Libby Weber about the joy of adopting a rescue animal. The text playfully explores the different decisions required when adopting a pet, such as choosing which animal to adopt (the Sopranos want to adopt a Cat, while the Altos prefer a Dog) and what to name them! The poem also features a few moments of overlapping texts, which create funny new phrases between the Soprano and Alto lyrics (“I want them all” at mm. 34-35 and “OMG!” at mm. 39-45).

The music has historical influences reminiscent of J.S. Bach’s keyboard stylings, Baroque arias, and opera-like recitatives for dramatic and comedic effect. There is also a bit of G. Rossini’s famous Duetto Buffo di due Gatti (Comic Duet for Two Cats) and the music of comedian Peter Schickele’s fictional Baroque composer, P.D.Q Bach.

There is a customizable NAMES section (Rehearsal Letter E) where directors and choirs may choose to replace any of the names (except the last name of each line, in order to maintain the rhymes) with pet names meaningful to them or the community.

The hope of this piece is to foster awareness of the importance of adopting rescue pets and treating our furry friends with the love they deserve. It would be wonderful to encourage donations to a local animal shelter or animal-oriented charity at any concert or event featuring this piece.

This piece is suitable for any Treble Choir and would fit well on a concert about animals or nature.

When Hearts Overflow, commissioned by Kelly Ann Self and the Orange Coast College Chorale, sets the beautiful poem by Kelly Ann Self. The text is a reminder that we can overcome pain and hardship if we unite, both figuratively and literally, in singing. The musical texture alternates between legato vocal lines accompanied by flowing piano arpeggios and punchier vocal statements supported by contrapuntal piano dialogue, acting as a metaphor for continuously finding joy amidst difficult times.

This piece is suitable for any Mixed-Voice ensemble and would fit well in any concert about mental health.

Advice from a Kitten in Spring, commissioned by the South Bay Children’s Choir, directed by Julie Corallo, is a playful exploration of a day in the life of a kitten in spring. We would be wise to take some life advice from this lighthearted kitten, especially the piece’s concluding words of wisdom: “love, live, listen”. The melodic content and text were inspired by several composition workshops with the singers in the South Bay Children’s Choir in preparation for this commission.

This piece is suitable for any Treble Choir and would fit well on a concert about animals or nature.

Alchemy, commissioned by Indianola Presbyterian Church, Christopher Dent, Director of Music, to celebrate the generations of children’s music ministry leadership of Carol Winans, Sharon Renkes, and Mary Rebekah Fortman, sets the powerful poem by Libby Weber. The poem and piece are inspired by a real-life charity called Swords to Plowshares (Northeast USA), which collects firearms from the community, melts them into gardening tools, distributes the tools to community gardens, harvests the food grown, and then donates the food to local food banks. This piece features a repeating refrain that traces each step of the alchemical cycle that transforms guns into sustenance. This poem form is called a circular, in which the last item of each stanza becomes the first item of the next stanza, similar to the famous “Where Have All the Flowers Gone” by Peter, Paul, and Mary.

Visit https://www.s2pnortheast.org/ to find out more about the Swords to Plowshares charity, research ways to get involved, and/or make a donation.

This piece is suitable for any Mixed-Voice ensemble and would fit well in any concert about action-based love.

The music and lyrics of Songs of Hope in Strange Times: In Times of Rising was written during the COVID-19 global pandemic of 2020-onwards and was commissioned by Loyola Marymount University, directed by T.J. Harper. The overall song cycle is five movements long, with each movement reflecting on how to find hope and meaning during strange and unknown times of life. In Times of Rising, the fifth and final movement of the song cycle, celebrates our return to life, being together, and finding joy once again. It explores how the world around us seems so different once we have gone through difficult experiences. This feeling of seeing things in a different light can apply to so many transformative periods in our lives, including relationships, birth, death, and personal journeys. The hope with this movement and the entire Songs of Hope in Strange Times cycle is to provide a framework in which to process powerful experiences, heal from tremendous loss, and arrive at the other side with wiser minds and hearts.

This movement could be performed as a stand-alone piece or as part of the entire Songs of Hope in Strange Times song cycle.

See other movements:

I. In Times of Descent
II. In Times of Hibernation
III. In Times of Stasis
IV. In Times of Re-Emergence

The music and lyrics of Songs of Hope in Strange Times: In Times of Re-Emergence was written during the COVID-19 global pandemic of 2020-onwards and was commissioned by SACRA/PROFANA, directed by Juan Carlos Acosta. The overall song cycle is five movements long, with each movement reflecting on how to find hope and meaning during strange and unknown times of life. In Times of Re-Emergence, the fourth movement of the song cycle, represents a joyful return to one’s life, albeit a cautious return initially, after a prolonged hiatus. The 9/8 meter has a dance-like quality, allowing a lighter mood after the more intense third movement, In Times of Stasis. The overall Strophic form (containing three Verses with the same melody and overall harmonies) allows for the performers and audience alike to relax in the familiarity of the material as it unfolds.

This movement could be performed as a stand-alone piece or as part of the entire Songs of Hope in Strange Times song cycle.

See other movements:

I. In Times of Descent
II. In Times of Hibernation
III. In Times of Stasis
V. In Times of Rising

The music and lyrics of Songs of Hope in Strange Times: In Times of Descent was written during the COVID-19 global pandemic of 2020-onwards and was commissioned by SACRA/PROFANA, directed by Juan Carlos Acosta. The overall song cycle is five movements long, with each movement reflecting on how to find hope and meaning during strange and unknown times of life. In Times of Descent is the frenzied opening movement of the cycle, representing those first chaotic and terrifying days when COVID-19 appeared in March, 2020 in the United States. The piece portrays this unsettling time through sinking, descending chromatic lines and heavy metal-inspired pulsating strings. This feeling of descending can be applied to those times in life when the world as we know it seems to fall apart and the end is nowhere in sight, such as the first days following a loved one’s passing, the minutes after receiving life-altering news, or other moments immediately following a tragedy. This movement acts as a mirror of the fifth and final movement In Times of Rising: using rising instead of falling lines, referencing the “sky and sea” (which are clouded by the darkness described in In Times of Descent), and other elements of contrast.

This movement could be performed as a stand-alone piece or as part of the entire Songs of Hope in Strange Times song cycle.

See other movements:

II. In Times of Hibernation
III. In Times of Stasis
IV. In Times of Re-Emergence
V. In Times of Rising