The music and lyrics of Songs of Hope in Strange Times: In Times of Rising was written during the COVID-19 global pandemic of 2020-onwards and was commissioned by Loyola Marymount University, directed by T.J. Harper. The overall song cycle is five movements long, with each movement reflecting on how to find hope and meaning during strange and unknown times of life. In Times of Rising, the fifth and final movement of the song cycle, celebrates our return to life, being together, and finding joy once again. It explores how the world around us seems so different once we have gone through difficult experiences. This feeling of seeing things in a different light can apply to so many transformative periods in our lives, including relationships, birth, death, and personal journeys. The hope with this movement and the entire Songs of Hope in Strange Times cycle is to provide a framework in which to process powerful experiences, heal from tremendous loss, and arrive at the other side with wiser minds and hearts.
This movement could be performed as a stand-alone piece or as part of the entire Songs of Hope in Strange Times song cycle.
See other movements:
I. In Times of Descent
II. In Times of Hibernation
III. In Times of Stasis
IV. In Times of Re-Emergence
The music and lyrics of Songs of Hope in Strange Times: In Times of Re-Emergence was written during the COVID-19 global pandemic of 2020-onwards and was commissioned by SACRA/PROFANA, directed by Juan Carlos Acosta. The overall song cycle is five movements long, with each movement reflecting on how to find hope and meaning during strange and unknown times of life. In Times of Re-Emergence, the fourth movement of the song cycle, represents a joyful return to one’s life, albeit a cautious return initially, after a prolonged hiatus. The 9/8 meter has a dance-like quality, allowing a lighter mood after the more intense third movement, In Times of Stasis. The overall Strophic form (containing three Verses with the same melody and overall harmonies) allows for the performers and audience alike to relax in the familiarity of the material as it unfolds.
This movement could be performed as a stand-alone piece or as part of the entire Songs of Hope in Strange Times song cycle.
See other movements:
I. In Times of Descent
II. In Times of Hibernation
III. In Times of Stasis
V. In Times of Rising
The music and lyrics of Songs of Hope in Strange Times: In Times of Descent was written during the COVID-19 global pandemic of 2020-onwards and was commissioned by SACRA/PROFANA, directed by Juan Carlos Acosta. The overall song cycle is five movements long, with each movement reflecting on how to find hope and meaning during strange and unknown times of life. In Times of Descent is the frenzied opening movement of the cycle, representing those first chaotic and terrifying days when COVID-19 appeared in March, 2020 in the United States. The piece portrays this unsettling time through sinking, descending chromatic lines and heavy metal-inspired pulsating strings. This feeling of descending can be applied to those times in life when the world as we know it seems to fall apart and the end is nowhere in sight, such as the first days following a loved one’s passing, the minutes after receiving life-altering news, or other moments immediately following a tragedy. This movement acts as a mirror of the fifth and final movement In Times of Rising: using rising instead of falling lines, referencing the “sky and sea” (which are clouded by the darkness described in In Times of Descent), and other elements of contrast.
This movement could be performed as a stand-alone piece or as part of the entire Songs of Hope in Strange Times song cycle.
See other movements:
II. In Times of Hibernation
III. In Times of Stasis
IV. In Times of Re-Emergence
V. In Times of Rising
SONGS OF HOPE IN STRANGE TIMES, a five-movement choral song cycle for SATB Choir & String Quartet, was originally written as a narrative of the COVID-19 pandemic that struck the world in 2020-present, but can also speak to other strange times in our lives when things do not seem to make sense or have a clear meaning. Each movement traces a different part of the pandemic, from the Descent (Mvmt. I) into chaos in the beginning days, the periods of Hibernation (Mvmt. II) retreating to safety and distance, the long period of Stasis (Mvmt. III) waiting for things to change, the slow but hopeful Re-Emergence (Mvmt. IV) as things started to improve, and the triumphant Rising (Mvmt. V) as we returned to life and joy. Each movement presents a way to find hope and meaning in these strange times of our lives, including other situations where normal life doesn’t always make sense.”
MOVEMENTS
I: IN TIMES OF DESCENT (3:30) – commissioned by SACRA/PROFANA directed by Juan Carlos Acosta
II: IN TIMES OF HIBERNATION (3:30) – commissioned by SACRA/PROFANA directed by Juan Carlos Acosta
III: IN TIMES OF STASIS (6:00) – commissioned by Westminster High School directed by Kelly Ann Self
IV: IN TIMES OF RE-EMERGENCE (3:30) – commissioned by SACRA/PROFANA directed by Juan Carlos Acosta
V: IN TIMES OF RISING (5:30) – commissioned by Loyola Marymount University Consort Singers directed by T.J. Harper
The music and lyrics of Songs of Hope in Strange Times: In Times of Stasis was written during the COVID-19 global pandemic of 2020-onwards and was commissioned by Westminster High School, directed by Kelly Ann Self. The overall song cycle is five movements long, with each movement reflecting on how to find hope and meaning during strange and unknown times of life. In Times of Stasis, the third movement of this song cycle, represents the sense of stasis deep in the waiting period of the pandemic. Without being able to observe the normal markers of time passing, such as birthdays, school years, or holidays, time seemed to stand still as each day blended into the next. This sense of moving neither forward nor backward is reminiscent of walking in the ocean tide, where one wave is crashing on shore and another is receding, creating the sense one is simply standing still. While it can be hard to find meaning in these static times, perhaps just being alive and present in this moment is in itself enough.
This movement could be performed as a stand-alone piece or as part of the entire Songs of Hope in Strange Times song cycle.
See other movements:
I. In Times of Descent
II. In Times of Hibernation
IV. In Times of Re-Emergence
V. In Times of Rising
This up-tempo arrangement of In Dulci Jubilo, commissioned by the Arlington Master Chorale, directed by Randy Jordan, features a modern reharmonization of this beloved carol. The choir is partnered with a colorfully orchestrated Piano and Solo Cello accompaniment. The melody is passed between the voices so each part has a chance to sing the main theme. The harmonies feature surprising twists, such as the use of modal interchange and pedal tones.
This carol would fit well in any holiday-themed concert, Festival of Lessons and Carols, or sacred Christmas and/or Epiphany service.
The music and lyrics of Songs of Hope in Strange Times: In Times of Hibernation was written during the COVID-19 global pandemic of 2020-onwards and was commissioned by SACRA/PROFANA, directed by Juan Carlos Acosta. The overall song cycle is five movements long, with each movement reflecting on how to find hope and meaning during strange and unknown times of life. After the first scary and frenetic days in March, 2020 when the severity of COVID-19 started to become apparent in the USA, the world then seemed to enter a deeper state of hibernating and waiting, but it was not always clear exactly what was being waited for. In this second movement, In Times of Hibernation, the text asks whether we can find meaning in times of deep hibernation and seemingly-endless waiting. The answer may be that we have to simply wait and hold our breath along with time as the events unfold. It may be that the deepest meaning may be found during the quietest of times.
This movement could be performed as a stand-alone piece or as part of the entire Songs of Hope in Strange Times song cycle.
See other movements:
I. In Times of Descent
III. In Times of Stasis
IV. In Times of Re-Emergence
V. In Times of Rising
Commissioned & Performed by: SACRA/PROFANA
Conductor: Juan Carlos Acosta
Audio & Video Editing by Rumley Music & Audio Production
Lydian Daydream is a whimsical solo cello piece with Lydian and Lydian dominant modal inflections, which are both variations of the major scale. The piece uses extended cello techniques such as pizzicato strumming (imitating a guitar), sul ponticello (playing close to the bridge), and glissandi (sliding between notes). This piece would fit well in any solo or chamber recital featuring cello.
Continue reading Lydian DaydreamEvening Comes is a windband ensemble piece dedicated to Maxwell Judah Leviss. The piece has a wide range of emotions, ranging from childlike to aggressive to poignant. Evening Comes ends with a striking reharmonization of the classic melody “Taps”. This piece would work well for any windband ensemble concert.
Instrumentation:
Piccolo
Flute 1
Flute 2
Oboe 1
Oboe 2
English Horn
Bassoon
Clarinet in Bb 1
Clarinet in Bb 2
Clarinet in Bb 3
Bass Clarinet
Alto Sax 1
Alto Sax 2
Tenor Sax
Baritone Sax
Trumpet in Bb 1
Trumpet in Bb 2
Trumpet in Bb 3
Trumpet in Bb 4
Trumpet in Bb 5
Horn in F 1
Horn in F 2
Horn in F 3
Horn in F4
Trombone 1
Trombone 2
Bass Trombone
Euphonium
Tuba
Timpani
Glockenspiel
Xylophone/Triangle
Vibraphone/Suspended Cymbal
Marimba
Snare Drum
Crash Cymbal/Bass Drum
Pyramid was inspired by Jennifer Higdon’s 1726, which was named after the address of her school. Similarly this piece is named after the striking blue pyramid of my alma mater, California State University at Long Beach (CSULB). The second movement of Pyramid uses a limited pitch set determined by the German notation of BEACH (Bb E A C B), also an homage to CSULB.
Continue reading Pyramid: I, II, and III