In Memoriam is a three-movement song cycle, commissioned by Jonathan Bautista and Nova Vocal Ensemble, for SATB choir and featured soprano and baritone soloists. The song cycle, which sets the text written by Sharon Goldstein, is a commentary on 21st-century American Tragedy, focusing especially on the tragedies that occurred in 2016. The cycle begins and ends with the forward-looking refrain: “An ounce of pain must leaven a pound of love”. This refrain brings a sense of hope that love will always overcome hate and pain, and that communities will overwhelmingly choose love in reaction to acts of hate and violence.

The first movement, “The Fallen”, is dedicated to the African-American victims of law-enforcement-involved shootings and the Black Lives Matter movement. It begins with a patriotic fanfare celebrating the 4th of July and freedom. The movement then takes a dark turn on the 5th of July, when Alton Sterling was killed. The choir and featured soloists engage in a call and response discussing the victims who died at the hands of law enforcement. The choir repeats the line “Do not forget them” as the soloists continue to grapple with these tragic deaths. The movement concludes with the soloists and choir begging the listener to not forget these names on the 4th of July.

The second movement, “The Cities”, is dedicated to the victims of the police officer shootings in Dallas, Texas (July, 2016). The movement begins with dissonant chord clusters and the whispering of tragedy- stricken countries and cities. As the text turns to memorializing these victims, the harmonies become more sonorous and rich. The movement ends with the choir imitating muted strings as a featured soprano soloist laments how “nature cries out in pain” when these victims’ lives are tragically ended too early.

The third movement, “Pulse”, is dedicated to the victims of the Pulse nightclub shooting in Orlando, Florida (June, 2016). A drum beats a steady pulse while the choir members start building the anthemic line “They will not destroy us” word by word. This middle section is a more hymn-like passage setting the line “Our pain will bring forth love”, with harmonies recalling the first movement. The movement ends with the opening anthemic statement built word by word. The movement concludes with a final striking of the drum.

Overall, this song cycle is an attempt to memorialize all victims of violence while trying to find purpose and hope in the face of overwhelming pain and loss.

Opening Refrain
I. The Fallen
II.  The Cities
III. Pulse
Final Refrain

Continue reading In Memoriam (Choral Song Cycle)

“Two Friends” (the first movement of the choral song cycle As Time Stops To Rest) paints a peaceful scene of two friends losing track of time as they sit by the ocean enjoying their time together. The piece opens with serene rolled chords in the piano, which continue throughout almost the entirety of the movement. The constant rolling of the piano creates a sense of ocean waves continuously ebbing and flowing. The opening tenor solo describes the tranquil setting and is then joined by the full choir as “warmth and happiness intermix to form an afternoon shared by two close friends”. The movement features lush harmonies and detailed ensemble interplay. The movement concludes with the continued rolled chords in the piano and a final soft low cluster, as if the texture is sinking into the ocean.

As Time Stops To Rest is a three-movement song cycle for SSAATTBB Choir and Piano, with featured soprano and tenor soloists. The cycle is dedicated to the composer’s late aunt Susan Jordan. The works sets three poems from a larger set of poetry entitled As Time Stops To Rest, also written by Susan Jordan. The song cycle has an overall arch form of peace followed by tragedy and loss, ultimately giving way to a final sense of peace.

Two Friends may be performed as part of the entire song cycle or as a stand-alone piece.

Also see the second movement Storm’s End and the third/final movement Magic.

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“Storm’s End” (the second movement of the choral song cycle As Time Stops To Rest) opens with violent and flurried storm-like arpeggios in the piano, in stark contrast to the peaceful character of “Two Friends”. The tenors and basses open with a rigid imitative texture asserting how “the storm raged across the bliss field”. The piano then mimics raindrops falling more and more violently before finally giving way to a calmer texture. After the “storm” has ended, the full choir enters in a mostly homophonic, hymn-like texture describing an overwhelming peace that sometimes follows after an intense tragedy or loss. The piece climaxes on the words “day” and “fire”, alluding to the feeling of being in love with one’s life despite (and perhaps because of) the pain and suffering one has endured.

As Time Stops To Rest is a three-movement song cycle for SSAATTBB Choir and Piano, with featured soprano and tenor soloists. The cycle is dedicated to the composer’s late aunt Susan Jordan. The works sets three poems from a larger set of poetry entitled As Time Stops To Rest, also written by Susan Jordan. The song cycle has an overall arch form of peace followed by tragedy and loss, ultimately giving way to a final sense of peace.

Storm’s End may be performed as part of the song cycle or as a stand-alone piece.

Also see the first movement Two Friends and the third movement Magic.

Continue reading Storm’s End