Lydian Daydream is a whimsical solo cello piece with Lydian and Lydian dominant modal inflections, which are both variations of the major scale. The piece uses extended cello techniques such as pizzicato strumming (imitating a guitar), sul ponticello (playing close to the bridge), and glissandi (sliding between notes). This piece would fit well in any solo or chamber recital featuring cello.

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Evening Comes is a windband ensemble piece dedicated to Maxwell Judah Leviss. The piece has a wide range of emotions, ranging from childlike to aggressive to poignant. Evening Comes ends with a striking reharmonization of the classic melody “Taps”. This piece would work well for any windband ensemble concert.

 

Instrumentation:
Piccolo
Flute 1
Flute 2
Oboe 1
Oboe 2
English Horn
Bassoon
Clarinet in Bb 1
Clarinet in Bb 2
Clarinet in Bb 3
Bass Clarinet
Alto Sax 1
Alto Sax 2
Tenor Sax
Baritone Sax

 

Trumpet in Bb 1
Trumpet in Bb 2
Trumpet in Bb 3
Trumpet in Bb 4
Trumpet in Bb 5
Horn in F 1
Horn in F 2
Horn in F 3
Horn in F4
Trombone 1
Trombone 2
Bass Trombone
Euphonium
Tuba

 

Timpani
Glockenspiel
Xylophone/Triangle
Vibraphone/Suspended Cymbal
Marimba
Snare Drum
Crash Cymbal/Bass Drum

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Vapors explores different sounds the cello can produce and evokes the image of airy and vapory visuals. It calls for advanced cello techniques, including extended passages of natural and artificial harmonics. This piece would work well for a string chamber recital or classical chamber concert.

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Pyramid was inspired by Jennifer Higdon’s 1726, which was named after the address of her school. Similarly this piece is named after the striking blue pyramid of my alma mater, California State University at Long Beach (CSULB). The second movement of Pyramid uses a limited pitch set determined by the German notation of BEACH (Bb E A C B), also an homage to CSULB.

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